Russian baritone withdraws from Wagner festival over Nazi Tattoos

A Russian baritone who was due to sing the lead role in Richard Wagner’s “The Flying Dutchman” when the Bayreuth opera festival opens next week withdrew from the event Saturday after it emerged that he once had Nazi-related symbols tattooed on his body, the Associated Press reported.


A German television program broadcast Friday showed old footage of a bare-chested Evgeny Nikitin playing drums in a rock band, in which a swastika tattoo partly covered by another symbol could be seen. The festival said Nikitin made his decision amid questions from a German newspaper about the significance of some of his tattoos.


Organizers made Nikitin, 38, aware of “the connotations of these symbols in connection with German history,” said a statement from the festival in Bayreuth, in the southeastern state of Bavaria. It added that his decision to pull out is “in line with the festival leadership’s consistent rejection of any form of Nazi ideas.”


The festival is currently led by the composer’s great-granddaughters, Eva Wagner-Pasquier and Katharina Wagner.


The Nazi past is a sensitive issue for the Bayreuth festival, which was founded by Richard Wagner in 1872.


Winifred Wagner, who headed the Bayreuth festival under Nazi rule, was a strong admirer of Adolf Hitler. During her reign, Hitler not only helped fund the festival but was allowed to meddle in artistic decisions.


In a brief statement released through the festival, Nikitin said that he got the tattoos in his youth.


“It was a major mistake in my life, and I wish I had never done it,” he said. “I was not aware of the extent of the confusion and hurt that these symbols would cause, particularly in Bayreuth and in the context of the festival’s history.”


Displaying Nazi symbols is a criminal offense in Germany.


This year’s festival is due to open on Wednesday with “The Flying Dutchman,” and it wasn’t immediately clear who might replace
Nikitin.


The festival said the director, Jan Philipp Gloger, believes that the “artistic damage to the production is immense” and it may not be possible to repair it entirely before next week’s premiere.