Chinese writer awarded Nobel Prize in Literature

The Swedish Academy announced on Thursday that it had awarded the 2012 Nobel Prize in Literature to the Chinese author Mo Yan, the cultural high point of a week of accolades to scientists, writers and peacemakers, The New York Times reports.

“Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel García Márquez, at the same time finding a departure point in old Chinese literature and in oral tradition,” the citation for the award declared.


In addition to novels, Mo Yan has published short stories, essays on various topics, and “despite his social criticism is seen in his homeland as one of the foremost contemporary authors.”


Mr Mo was born in 1955 in Gaomi, China, and, according to the academy, is resident in China. The citation for the award described him as a writer “who with hallucinatory realism merges folk tales, history and the contemporary.”


The name Mo Yan is a pseudonym for Guan Moye. He is the son of farmers who left school during the Cultural Revolution to work, first in agriculture and later in a factory, according to his Nobel biography.


In 1976 he joined the People’s Liberation Army and began to study literature and write. His first short story was published in a literary journal in 1981, the biography on the Nobel Web site said.


“In his writing Mo Yan draws on his youthful experiences and on settings in the province of his birth,” the biography said, referring to his 1987 novel published in English as Red Sorghum in 1993. His novel The Garlic Ballads, as it was called on its publication in English in 1995, and other works “have been judged subversive because of their sharp criticism of contemporary Chinese society.”
Other works include Big Breasts and Wide Hips (1996), Life and Death are Wearing Me Out (2006) and Sandalwood Death, to be published in English in 2013. His most recent published work, called Wa in Chinese (2009) “illuminates the consequences of China’s imposition of a single-child policy.”